Sergio Repossini
"I was born in Milan (Italy) in 1957. I have a background that comes from the scientific field, with a degree in physics. For many years professor of mathematics and physics in secondary schools in Milan.
However, in the course of my work, in addition to dedicating myself to teaching, I have always kept my passion for art alive by making paintings and participating in exhibitions, galleries and art fairs.
My artistic inspiration comes from observation of the real world and in the path of investigation I find an affinity between art and science.
I prefer a pictorial formula that draws on the tradition of realism of the classical masters, but with personal modulations in the combination of shapes and colors. The landscape is understood as the perception of a state of mind that is evoked.
In recent times I have been creating works of art using an artificial intelligence model trained through the exclusive use of my works.
Exhibitions
2025 - Intersizio - MILANO
2024 - Magic Mural Art Wall - projection project on the Frontier building in Downtown Hartford - Stati Uniti
2018 - ASTALIFE2018 - CITYLIFE - MILANO
2018 - XIV FIERA D’ARTE MODERNA E CONTEMPORANEA - GENOVA
2017 - ASTALIFE.17 - CITYLIFE - MILANO
2017 - SPOLETO ARTE INCONTRA NEW YORK - HOTEL MICHELANGELO - NEW YORK
2017 - LE FIL ROUGE - Legami tra arte e moda - Corte dei miracoli - MILANO
2016 - SCOMPARTI - LARIOFIERE - ERBA (CO)
2016 - XII FIERA D'ARTE MODERNA E CONTEMPORANEA - GENOVA
2015 - ASTA "FLASH" AFFORDABLE ART FAIR - MILANO
2015 - SPAZIO TADINI - MILANO
2013 - "GALA DE L'ART" - HOTEL DE PARIS - MONTECARLO
2009 - Presentazione di alcune opere in eventi televisivi, presentati dalla "MAZZOLENI ART GALLERY"
2008 - Pubblicazione nella rubrica "Spettacoli" di "METRO" BERGAMO e "METRO" GENOVA
2006 - MUSEO D'ARTE CONTEMPORANEA - SCOPOLI di FOLIGNO
2005 - SPAZIO ARTECULTURA - MILANO (BRERA)
2002 - BIMU - ENTE FIERA - MILANO
2002 - MOSTRA NAZIONALE DI PITTURA CONTEMPORANEA DI SANTHIA
2001 - MOSTRA NAZIONALE DI PITTURA CONTEMPORANEA DI SANTHIA
2000 - SPAZIOMATISSE - ROMA
Instagram:
https://www.instagram.com/sergio.repossini/
New York City, 51.2 W x 47.2 H x 0.1 D in, Acrylic on canvas, 2017
" This piece captures the layered skyline of New York. The silhouette of the Empire State Building dominates the composition, standing as a monument of permanence amidst an ever-changing urban landscape.
The work explores the theme of “presenza simultanea” by presenting multiple temporalities in a single frame:
• The foreground speaks of the present — bold, solid, immediate.
• The middle ground, with its soft, fading shapes, suggests the past — memories of what once was.
• The background, painted in ethereal hues of pink, orange, and aqua, hints at the future — undefined, full of possibility.
By layering space and color with intention, it would be evokes a contemplative mood: the city exists all at once in memory, presence, and projection. The stillness of the buildings contrasts with the fluidity of the sky, suggesting that within every moment, multiple realities coexist."
Taj Mahal, 47.2 W x 43.3 H x 0.1 D in, Acrylic on canvas, 2025
" This painting portrays the Taj Mahal not just as architecture, but as a symbol suspended in time. The monument rises in muted blues and greys against a delicate, diffused peach-pink sky. Its reflection in the still waters below suggests a quiet dialogue between the tangible and the intangible, the earthly and the spiritual.
Through its serene symmetry and tonal harmony, the work explores “presenza simultanea” as a fusion of love and loss, memory and matter, absence and presence. The Taj Mahal — originally built as a tomb — becomes here a visual metaphor for how beauty can emerge from grief, and how the past continues to resonate in the present.
The painting’s minimalism and soft palette strip away distraction, allowing the viewer to stand in a meditative space, as if caught between sunrise and silence — a moment where time itself is held still."
Venezia, 81.1 W x 42.5 H x 0.1 D in, Acrylic on canvas, 2016
" Venezia, 81.1 W x 42.5 H x 0.1 D in, Acrylic on canvas, 2016
This painting presents a serene and timeless view of Venice, captured during the liminal moment of dusk — when light blurs the boundary between night and day. The horizon is quiet, almost suspended, while the soft gradient sky shifts from pale yellows to deep blues, reflecting on the calm water below.
The theme of “presenza simultanea” is expressed through the delicate coexistence of opposites: light and shadow, past and present, stillness and transformation. Iconic architectural silhouettes such as the Campanile and domes emerge not as fixed landmarks but as echoes, layered gently into the landscape like memories.
Venice, a city suspended between water and air, becomes a metaphor for layered presence — physical and emotional, visible and invisible. The viewer is invited into a contemplative space where time does not flow linearly, but expands in all directions, held still in the glow of fading or emerging light."